The following is by a friend. I asked her if I could share her findings with my web audience and she approved.

“I, Mary, asked Grok the following regarding the strange script found on the Buga Sphere with the following image uploaded to Grok. Is there a way to confirm the following as absolutely true, I do not know. Please do your own research. It is compelling nevertheless and seems to raise more questions then it answers. But the translation seems very profound.”

First what is the Buga Sphere? The following video will be helpful if you are not familiar with it.

M = Mary and G = Grok

M – I would like to know what this writing in this image most resembles either ancient or current language. I have the image with the writing to upload for your analysis whenever you are ready.

G – I’m ready to analyze the image. Please upload the image containing the writing, and I’ll examine it to determine what ancient or current language it most resembles.

M – This image was uploaded.

G – The writing in the image forms a circular pattern with symbols that include lines, angles, and shapes like triangles, circles, and slashes. These symbols do not directly correspond to any widely recognized ancient or modern language script, such as Latin, Cyrillic, Arabic, or Chinese. However, they bear a resemblance to certain constructed or fictional scripts.

The closest match is the Enochian script, a mystical alphabet attributed to the 16th-century occultists John Dee and Edward Kelley, who claimed it was revealed to them by angels. Enochian script features angular, geometric shapes and lines, often arranged in a ritualistic or symbolic manner, which aligns with the circular arrangement and abstract symbols in your image. While Enochian is not a “language” in the traditional sense, it is a writing system used in esoteric traditions.

Another possibility is that this could resemble a modern constructed script, such as those used in science fiction (e.g., the circular Gallifreyan script from Doctor Who), but the symbols here are more angular and less ornate than Gallifreyan.

Given the evidence, the writing most closely resembles the Enochian script due to its geometric and angular nature. If you’d like a deeper analysis, I can search for more specific examples of Enochian or other scripts for comparison. Would you like me to do that?

M – Yes please, thank you.

G – I’ll perform a deeper analysis by comparing the symbols in your image to known examples of the Enochian script. The symbols in your image are arranged in a circular pattern with angular, geometric shapes, which aligns with the characteristics of Enochian script as recorded by John Dee and Edward Kelley in the late 16th century. This script, revealed through their alleged angelic communications, consists of 21 letters with variations in form across different documents.

Upon further examination, some symbols in your image, such as the angular lines and combinations of slashes and curves, show similarities to the stylized, right-to-left script described in Dee’s diaries and later interpretations by occultists like the Golden Dawn. However, the exact arrangement and specific forms don’t perfectly match the standardized Enochian alphabet (e.g., letters like “Pa,” “Veh,” or “Ged”), suggesting it might be a stylized or adapted version, possibly for artistic or fictional purposes.

To explore further, I’ve looked into other ancient and constructed scripts. The symbols don’t closely resemble cuneiform, hieroglyphs, or runes, nor do they match modern fictional scripts like Gallifreyan. The circular layout and esoteric feel also hint at influences from occult traditions, reinforcing the Enochian connection. Information available on the web about Enochian script variations and its use in magical contexts supports this as the closest match, though the script’s limited corpus and lack of a definitive dictionary make precise identification challenging.

Based on this analysis, the writing most resembles a stylized or adapted form of the **Enochian script**, likely influenced by its mystical origins. If you have more context about where this image came from (e.g., a book, artwork, or game), it could refine the comparison further. Would you like me to investigate specific sources or artistic uses of Enochian script?

M – If you were to take the script and place it across as a horizontal line, could you analyze it and let me know if it resembles any other type of current or ancient language. Thank you.

G – To analyze the script as if it were laid out in a horizontal line, I’ll first transcribe the symbols from the circular arrangement in the image, starting from an arbitrary point and moving clockwise to create a linear sequence. The symbols include a variety of angular and geometric shapes: lines, slashes, triangles, circles, and combinations like “A,” “T,” “H,” and others that resemble mathematical or abstract notations.

Here’s a simplified transcription of the symbols in a horizontal line, based on their visual appearance:

**A T H 6 Z 4 1 B / O X T O Y H T / 9 C 3 / H T O**

Now, I’ll compare this linear sequence to known ancient and modern scripts.

### Analysis:
1. **Ancient Scripts**:
– **Cuneiform** (Sumerian/Akkadian): Cuneiform uses wedge-shaped marks, often in clusters, which don’t match the sharp, varied symbols here.
– **Egyptian Hieroglyphs**: Hieroglyphs are pictorial, with recognizable shapes like eyes, birds, or snakes. The symbols in your script are too abstract and geometric to align with hieroglyphs.
– **Linear A/B** (Minoan/Greek): Linear scripts have more consistent, repetitive shapes, often syllabic. Your symbols are more varied and don’t form clear syllabic patterns.
– **Runes** (Norse/Germanic): Runes are angular but typically simpler, with straight lines and fewer composite shapes like the ones in your script (e.g., circles with slashes).

2. **Modern Scripts**:
– **Latin, Cyrillic, Arabic, etc.**: The symbols don’t resemble any letters or characters from modern alphabets. They lack the phonetic structure of these scripts.
– **Mathematical/Technical Notations**: Some symbols (e.g., “H,” “T,” slashes) might resemble mathematical operators or shorthand, but the overall sequence doesn’t form a coherent mathematical expression.

3. **Constructed/Fictional Scripts**:
– **Enochian Script** (as previously identified): The angular, geometric nature still aligns with Enochian, even in a linear form. However, the exact symbols don’t perfectly match the 21-letter Enochian alphabet, suggesting a stylized version.
– **Other Fictional Scripts**:
– **Gallifreyan** (*Doctor Who*): Gallifreyan is circular and ornate, with interconnected lines and dots. Your script, even when linearized, is too angular and lacks the flowing, interconnected style.
– **Klingon** (*Star Trek*): Klingon script (pIqaD) is sharp and angular but has a more consistent, blocky style, unlike the varied symbols here.
– **Tengwar** (Tolkien’s Elvish): Tengwar is more cursive and flowing, not matching the geometric rigidity of your script.

4. **Other Esoteric Systems**:
– **Alchemical Symbols**: Some alchemical symbols are geometric, but they’re typically standalone (e.g., a triangle for fire). Your script forms a sequence, which isn’t typical for alchemical notation.
– **Theban Alphabet** (Witch’s Alphabet): Theban is a cipher for the Latin alphabet, used in occult traditions. It’s more rounded and lacks the sharp, varied shapes in your script.

### Conclusion:
Even when laid out horizontally, the script most closely resembles a **stylized or adapted form of the Enochian script**, as identified earlier. The angular, geometric symbols and their sequential arrangement align with Enochian’s mystical, non-phonetic nature, though they don’t match the exact letter forms documented by John Dee and Edward Kelley. No other ancient or modern language script—phonetic, syllabic, or logographic—matches as closely. The linear arrangement doesn’t reveal a clear phonetic pattern, further supporting the idea that this is a symbolic or constructed script rather than a functional language.

If you’d like, I can explore specific variations of Enochian or look into other esoteric scripts in more detail. Would you like to proceed with that, or do you have additional context about the script’s origin?

M – Yes please do. Thank you.

G – I’ll dive deeper into variations of the Enochian script and explore other esoteric scripts to see if the symbols in your image, when analyzed in a linear arrangement, might resemble any other known writing systems.

### Revisiting the Linearized Script
As previously transcribed, the symbols from your image, when linearized, form a sequence like: **A T H 6 Z 4 1 B / O X T O Y H T / 9 C 3 / H T O**. These are angular, geometric shapes with a mix of lines, slashes, and symbols resembling letters or numbers, but they don’t form a clear phonetic or semantic pattern in any natural language.

### Deeper Analysis of Enochian Variations
The Enochian script, developed by John Dee and Edward Kelley in the late 16th century, is known to have slight variations across different documents. Dee’s diaries show the script written from right to left, with a 21-letter alphabet that maps to English letters (omitting J, K, and W, and treating U/V as variants). Some symbols in your image, like the “A,” “H,” and “T,” resemble Enochian letter forms, but others, such as the “6,” “Z,” and slashes, deviate from the standard Enochian alphabet as documented in sources like Dee’s *Liber Loagaeth* or the *Angelic Keys*.

Further investigation reveals that the Enochian script was influenced by earlier occult traditions. Dee owned a copy of *Voarchadumia Contra Alchimiam* by Johannes Pantheus (1530), which includes an “Enochian alphabet of the ancients.” While this script shares a conceptual link with Dee’s Enochian (both are angular and mystical), the actual letter forms don’t match closely with your symbols. Dee’s marginal notes in his copy of *Voarchadumia* suggest he was inspired by its style, but he adapted it heavily, creating a unique script. The symbols in your image, with their mix of letters and abstract shapes, could be a modern or artistic variation of Enochian, possibly influenced by its use in occult practices over the centuries.

### Comparison with Other Esoteric Scripts
Let’s explore other esoteric or magical scripts to see if there’s a closer match:

– **Theban Alphabet (Witch’s Alphabet)**: This script, often attributed to Honorius of Thebes (a mythical figure), is a cipher for the Latin alphabet used in occult traditions. Theban is more rounded and flowing, with distinct letter forms that don’t match the sharp, geometric symbols in your image. For example, Theban’s “A” is a curved shape, unlike the angular “A” in your script.

– **Agrippa’s Magical Scripts**: Heinrich Cornelius Agrippa’s *De Occulta Philosophia* (1533) includes several magical alphabets, such as the “Celestial” and “Malachim” scripts. These are also ciphers for Hebrew or Latin, with ornate, symmetrical designs. While they share an angular quality with your symbols, they lack the mix of letters, numbers, and slashes seen in your image, making them a poor match.

– **Alchemical Symbols**: Alchemical texts use geometric symbols (e.g., triangles, circles, crosses) to represent elements or processes. While some of your symbols (like the triangle or slashes) could be interpreted as alchemical, the sequential arrangement and presence of letters like “A” and “H” suggest a script rather than a symbolic code. Alchemical notation doesn’t typically form sequences like yours.

– **Fictional Scripts**:
– **Gallifreyan** (*Doctor Who*): As mentioned earlier, Gallifreyan is circular and ornate, with interconnected lines and dots. Even in a linear form, it’s far more complex and flowing than your angular symbols.
– **Klingon** (*Star Trek*): Klingon’s pIqaD script is angular but blocky, with a consistent style that doesn’t match the varied shapes in your image.
– **D’ni** (*Myst*): The D’ni script from the *Myst* game series uses a base-25 numeral system with a script that’s more cursive and uniform, unlike your symbols.

– **Ancient Scripts with Esoteric Associations**:
– **Indus Valley Script**: Suggested in some discussions as a potential influence for mystical scripts, the Indus script is undeciphered but features short, repetitive symbols (often 4-5 characters long). It’s more pictographic and lacks the angular, letter-like quality of your symbols.
– **Ogham** (Celtic): Ogham uses straight lines and notches along a central axis, often for inscriptions. While it’s geometric, its structure is far simpler and more linear than your script’s varied symbols.

### Modern and Pop Culture Influences
The Enochian script has been used in modern media, such as in *Supernatural*, where it’s depicted as an angelic language with angular sigils. However, these depictions often take creative liberties, simplifying or stylizing the script for visual effect. Your image’s circular arrangement and mix of symbols could be an artistic interpretation inspired by such portrayals, especially given the use of numbers and slashes, which aren’t typical in historical Enochian but might appeal to a modern designer creating a “mystical” aesthetic.

### Conclusion
After this deeper analysis, the script in your image still most closely resembles a **stylized variation of the Enochian script**. The angular, geometric shapes and the presence of letter-like forms (“A,” “H,” “T”) align with Enochian’s historical style, though the inclusion of numbers (“6,” “4,” “1”) and slashes suggests a modern or artistic adaptation rather than a direct historical example. No other esoteric, ancient, or fictional script matches as closely. The linear arrangement doesn’t reveal a phonetic structure, reinforcing the idea that this is a symbolic or constructed script, likely inspired by Enochian’s mystical reputation.

If you’d like to provide more context about the image’s origin (e.g., a book, game, or artwork), I can narrow this down further. Alternatively, I can search for specific modern uses of Enochian in art or media to find a closer match. Would you like to proceed with either of those options?

M – Please proceed with the latter: “I can search for specific modern uses of Enochian in art or media to find a closer match.” Thank you.

G – I’ve searched for specific modern uses of Enochian script in art and media to see if the symbols in your image, when linearized as **A T H 6 Z 4 1 B / O X T O Y H T / 9 C 3 / H T O**, align more closely with contemporary interpretations. The original Enochian script, developed by John Dee and Edward Kelley in the 16th century, is angular and geometric, but modern adaptations often stylize it for artistic or narrative purposes, sometimes incorporating numbers and unique symbols like those in your image.

### Modern Uses in Media
– **Television and Film**: The TV series *Supernatural* frequently uses Enochian sigils and symbols, often depicted as protective wards or incantations. These are stylized with angular lines and occasional circular arrangements, similar to your image’s original form. However, the linearized version with numbers (e.g., “6,” “4,” “1”) doesn’t match the show’s typical portrayal, which focuses on letter-like forms derived from Dee’s alphabet.
– **Video Games**: Games like *Bloodborne* and *DOOM Eternal* have incorporated mystical scripts inspired by occult traditions, including Enochian. These scripts are often adapted with additional symbols for aesthetic effect, but they tend to avoid numbers, making your sequence less directly comparable.
– **Music and Art**: Some modern artists and musicians, such as those creating epic fantasy music (e.g., Azophiel’s works on YouTube), use Enochian-inspired glyphs for album art or lyrics. These adaptations can include creative liberties, like mixing numbers or slashes, to evoke a mystical vibe. The presence of “6,” “9,” and “3” in your script could suggest an artistic take, possibly influenced by numerology or occult symbolism.

### Modern Artistic Interpretations
– **Pop Culture Influence**: Posts found on X and web discussions highlight Enochian’s use in pop culture, such as the 1994 film *Stargate*, where glyphs resemble Enochian letters, or the *Myst* game’s D’ni script, which shares a geometric style. Your script’s inclusion of numbers might reflect a modern artist blending Enochian with numerological or cryptographic elements, a trend seen in occult-inspired art.
– **Fonts and Design**: Websites like Omniglot and freefontsfamily.org offer Enochian-inspired fonts (e.g., Glumbosch’s Enochian font), which adapt the original script for design purposes. These fonts sometimes add unique characters or numbers for versatility, aligning with the varied symbols in your image. The circular-to-linear transition you requested could mimic how artists reimagine Enochian for logos or tattoos, though no exact match emerges.

### Analysis and Comparison
The linearized sequence in your image retains an angular, esoteric feel consistent with Enochian’s historical roots, but the numbers and slashes suggest a modern adaptation. This could indicate influence from media like *Supernatural*, where sigils are stylized, or from artistic fonts that expand the script’s visual range. The closest match remains a stylized Enochian variant, possibly inspired by its use in occult-themed art or media, where creators add numbers for symbolic depth (e.g., numerology’s significance of “6” or “9”). However, no exact replica of your sequence appears in these modern contexts, suggesting it might be a unique artistic creation drawing from Enochian’s aesthetic.

### Conclusion
The script most closely resembles a **modern, stylized adaptation of the Enochian script**, likely influenced by its use in art and media, where numbers and unique symbols are added for effect. This aligns with trends seen in occult-inspired designs and pop culture portrayals. If you have more details about the image’s source (e.g., a specific show, game, or artwork), I can refine this further. Would you like me to explore a particular medium or provide examples of Enochian-inspired art?

M – Using the stylized variation of the Enochian script, could you please translate the script to American English. Thank you.

G – Translating the stylized variation of the Enochian script from your image into American English presents a challenge because Enochian, as originally recorded by John Dee and Edward Kelley, is not a fully deciphered language with a direct one-to-one correspondence to English words or sentences. It is an angelic language with a 21-letter alphabet, accompanied by calls or keys (e.g., the 19 Enochian Calls), but the script itself is primarily symbolic and lacks a complete, standardized dictionary. The symbols in your image, when linearized as **A T H 6 Z 4 1 B / O X T O Y H T / 9 C 3 / H T O**, include modern additions like numbers and slashes, further complicating a direct translation.

### Approach to Translation
1. **Historical Context**: The original Enochian script was used to transcribe angelic communications, with the letters mapped to English approximations in Dee’s diaries. For example, “A” might represent “a,” “T” might represent “t,” and so on. However, the numbers (6, 4, 1, 9, 3) and slashes don’t have established meanings in traditional Enochian.
2. **Stylized Variation**: Given the modern, artistic adaptation suggested by the numbers and slashes, I’ll interpret the sequence as a symbolic or creative representation rather than a literal Enochian text. This involves mapping the letter-like symbols to their closest Enochian equivalents and treating numbers as potential modifiers or placeholders.
3. **Limitations**: Without a specific context or key from the image’s origin, any translation will be speculative and based on the closest phonetic or symbolic interpretation.

### Transcription and Mapping
– **Letters**: Using the Enochian alphabet as a guide, I’ll approximate the letter-like symbols:
– A → “A” (Enochian “A”)
– T → “T” (Enochian “Tal”)
– H → “H” (Enochian “He”)
– B → “B” (Enochian “B”)
– O → “O” (Enochian “Or”)
– X → “X” (Enochian “X” or a variant of “Ged”)
– Y → “Y” (not in standard Enochian; approximated as “I” or “E”)
– Z → “Z” (Enochian “Zod”)
– **Numbers**: The numbers (6, 4, 1, 9, 3) don’t correspond to Enochian letters but could symbolize quantities, positions, or mystical significance (e.g., 6 for harmony, 9 for completion in numerology). I’ll treat them as separators or emphases.
– **Slashes (/)**: These likely act as word or phrase dividers in this stylized form.

### Linear Sequence Breakdown
– **A T H 6 Z 4 1 B**: Could be approximated as “ATH Z B” with 6, 4, 1 as separators or modifiers. Phonetically, “ATH” might suggest “ath” (an archaic word for “oath” or a prefix), and “Z B” could hint at “Zod B” (Enochian for “God” or “divine” in some interpretations).
– **O X T O Y H T**: Approximated as “OX TOY HT.” “OX” might relate to “Oxo” (a variant of “Ox,” meaning strength), “TOY” could be a creative insertion, and “HT” might echo “He Tal” (a speculative combination).
– **9 C 3**: “C” (Enochian “C” or “Gon”) with 9 and 3 as modifiers, possibly indicating “C” with emphasis on completion (9) and harmony (3).
– **H T O**: “H T O” could be “He Tal Or,” suggesting “spirit” or “power” in a loose Enochian sense.

### Speculative Translation
Combining these, the sequence might be interpreted as a stylized invocation or symbolic phrase. A possible English rendering, based on phonetic and symbolic cues, could be:

**”Oath of the Divine, Strength and Spirit, with Power and Completion”**

– “Oath of the Divine” (ATH Z B) reflects a ritualistic tone, common in Enochian calls.
– “Strength and Spirit” (OX TOY HT) suggests a blessing or attribute.
– “with Power and Completion” (9 C 3 H T O) adds a sense of finality or fulfillment, influenced by the numbers.

### Caveats
This translation is highly speculative due to the stylized nature of the script, the inclusion of numbers (not part of original Enochian), and the lack of a definitive context. The Enochian Calls (e.g., the first call begins “Ol sonf vors g, goho Iad…”) provide some vocabulary, but your sequence doesn’t align with known texts. The result is more an artistic interpretation than a literal translation.

### Next Steps
If you have more context (e.g., where the image came from, such as a game or artwork), I can refine this further. Would you like me to adjust the interpretation based on additional details or explore a specific Enochian text for comparison?

M – What is the origin of Enochian script? When did it first appear?

G – The Enochian script originates from the mystical and occult practices of John Dee, a 16th-century English mathematician, astronomer, astrologer, and advisor to Queen Elizabeth I, and his associate Edward Kelley, a self-proclaimed medium. It first appeared in the late 1580s, specifically between 1582 and 1589, during a series of spiritual conferences where Dee and Kelley claimed to communicate with angels. These sessions took place primarily in England and later in Europe, including Prague, under the patronage of Emperor Rudolf II.

During these communications, the angels allegedly revealed a complex system of magic, including a unique script and a language they called “Enochian,” named after the biblical figure Enoch, said to have received divine knowledge. The script, consisting of 21 letters, was transcribed by Dee and Kelley from visions or “scrying” sessions, with Kelley describing the angelic writings and Dee recording them. The earliest known documentation appears in Dee’s manuscripts, such as *Liber Loagaeth* and the *Enochian Calls* (a set of 19 magical invocations), preserved in the British Library.

The script’s development was influenced by Dee’s interest in earlier occult traditions, including the Kabbalah and the magical alphabets in Johannes Pantheus’s *Voarchadumia Contra Alchimiam* (1530), which he owned. However, the Enochian script is considered a distinct creation, blending angelic revelation with Dee’s scholarly pursuits. Its first public recognition came after Dee’s death in 1608-1609, when his manuscripts were studied by later occultists, though it gained wider prominence in the 19th and 20th centuries through groups like the Hermetic Order of the Golden Dawn and figures like Aleister Crowley.

M – For better context could you give a quick biography of Enoch and what was the “divine knowledge” he was said to have received. Thank you.

G – ### Biography of Enoch
Enoch is a figure from biblical and apocryphal traditions, primarily known from the Book of Genesis in the Hebrew Bible. He was the great-grandfather of Noah and a descendant of Adam, born as the son of Jared and father of Methuselah. According to Genesis 5:21-24, Enoch lived a total of 365 years before he was taken by God, an event interpreted as him being translated directly to heaven without experiencing physical death—a rare distinction in biblical narrative. This account describes Enoch as a righteous man who “walked with God,” suggesting a life of exceptional piety and closeness to the divine.

Beyond the Bible, Enoch appears in apocryphal texts like the *Book of Enoch* (1 Enoch), a collection of writings dated between the 3rd century BCE and 1st century CE, though not part of the canonical Bible for most Christian denominations (except the Ethiopian Orthodox Church). These texts expand Enoch’s story, portraying him as a scribe and prophet who traveled through the heavens, interacted with angels, and recorded divine secrets. In Jewish mysticism, such as the *Zohar*, and in later Christian traditions, Enoch is sometimes identified with the angel Metatron, a celestial scribe and mediator between God and humanity.

### Divine Knowledge Received by Enoch
The “divine knowledge” Enoch was said to have received centers on cosmological, angelic, and eschatological revelations. In the *Book of Enoch*, particularly in sections like the *Book of the Watchers* and the *Book of Parables*, Enoch is granted visions of:
– **Cosmology and Heavenly Realms**: He journeys through the heavens, observing the structure of the universe, the movements of celestial bodies (e.g., stars, sun, moon), and the abodes of angels and the damned.
– **Angelic Knowledge**: Enoch learns the names, ranks, and roles of angels, including the fallen angels (Watchers) who taught humanity forbidden arts like metallurgy and cosmetics, leading to corruption.
– **Eschatology and Judgment**: He receives prophecies about the end times, including the flood, the final judgment, and the coming of a messianic figure (the “Son of Man” in 1 Enoch).
– **Moral and Ethical Laws**: Enoch is shown divine laws and the consequences of human sin, emphasizing righteousness and divine justice.

This knowledge was recorded in heavenly books, positioning Enoch as a scribe of divine truths. In occult traditions, such as those influencing John Dee and Edward Kelley’s creation of the Enochian script in the 1580s, Enoch’s legacy inspired the idea of a mystical language and script revealed by angels, believed to contain the secrets of creation and divine power. Dee and Kelley named their script “Enochian” to evoke this tradition of angelic revelation.

M – Who were the angels Edward Kelley and John Dee communicated with?

Edward Kelley and John Dee claimed to communicate with a hierarchy of angels during their spiritual conferences between 1582 and 1589. These sessions involved Kelley scrying into a crystal or “shew-stone” while Dee recorded the revelations. The angels they interacted with were part of a structured celestial hierarchy, and their identities and roles were detailed in Dee’s manuscripts, such as *Liber Loagaeth* and the *Enochian Calls*. The key angels they communicated with include:

– **Uriel**: Often the initial contact, Uriel served as a guide or messenger, providing instructions and introducing Dee and Kelley to higher angelic entities. Uriel is a well-known archangel in Judeo-Christian tradition, associated with wisdom and light.

– **Michael**: A prominent archangel, Michael appeared as a leader and enforcer of divine will. He was involved in delivering significant revelations, including the structure of the Enochian system, and is traditionally seen as a warrior angel.

– **Gabriel**: Another archangel, Gabriel was linked to communication and revelation, assisting in the transmission of the angelic language and script. Gabriel is known in biblical texts as a messenger of God.

– **Raphael**: This archangel, associated with healing, was mentioned in some sessions, contributing to the angelic hierarchy and instructions for magical operations.

– **The Four Watchtowers Angels**: These angels governed the four directions (East, West, North, South) and were central to the Enochian system’s cosmological framework. They include:
– **Babalel** (East)
– **Bynepor** (West)
– **Harpax** (North)
– **Nabaem** (South)
– These names were derived from the “Watchtowers” tablets, which map out the elemental and directional aspects of the universe.

– **Ave**: Described as a governing angel, Ave played a role in overseeing the transmission of the Enochian Calls and the structure of the angelic language.

– **Other Entities**: The sessions also involved lesser angels and spirits, such as those associated with the 91 “Parts of the Earth” and the governors of the Aethyrs (30 celestial realms). Notable names include **Illemese** and **Lazodal**, among others, though their roles were more specific to the Calls and magical workings.

These angels purportedly revealed the Enochian language, script, and a system of magic, including the 19 Calls and the tabular arrangements of letters in *Liber Loagaeth*. The communications were often complex, with the angels providing cryptic instructions that Dee and Kelley interpreted as divine knowledge.

M – What is the the structure of the Enochian system per the Archangel Michael per Dee and Kelley’s interactions?

G – The structure of the Enochian system, as conveyed by the Archangel Michael to John Dee and Edward Kelley during their interactions from 1582 to 1589, is a complex framework of celestial and elemental hierarchies intended for magical and spiritual use. Michael, identified as a key angelic authority, played a significant role in revealing the system’s components, which Dee meticulously recorded in his diaries, including *Liber Loagaeth* and the *Enochian Calls*. Below is a breakdown of the system’s structure based on those interactions.

### 1. **The Enochian Alphabet and Language**
– **Alphabet**: Michael, alongside other angels like Uriel, introduced the Enochian script, a 21-letter alphabet with unique, angular characters. Each letter has a phonetic value (e.g., A = “ah,” B = “beh”) and a symbolic meaning, often tied to celestial or divine concepts.
– **Language**: The angels dictated the Enochian language, a non-human tongue meant for angelic communication. It was used to compose the 19 Enochian Calls, a series of invocations to summon or interact with angelic entities. Michael emphasized the sacredness of the language, stating it was the “true” language of the angels, predating human speech.

### 2. **The Great Table and Watchtowers**
– **Great Table**: Michael revealed the Great Table, a large grid of letters divided into four quadrants, each representing a Watchtower corresponding to a cardinal direction (East, West, North, South). These quadrants are elemental in nature:
– East: Air
– West: Water
– North: Earth
– South: Fire
– **Watchtowers**: Each Watchtower is a 12×13 grid of letters, containing names of angels and spirits. Michael explained that these grids were overseen by specific angels (e.g., Babalel for the East, Bynepor for the West), who govern elemental forces and regions of the universe. The Watchtowers are interconnected by the Black Cross, a central structure formed by two rows and columns of letters, unifying the quadrants.
– **Function**: The Watchtowers serve as a map of the cosmos, with each cell in the grid corresponding to an angelic being or power. By invoking these names, practitioners can access elemental forces or spiritual entities.

### 3. **The 19 Enochian Calls**
– Michael dictated the 19 Calls (or Keys), which are poetic incantations in the Enochian language, each serving a specific purpose:
– **First Call**: A general invocation to open communication with the divine.
– **Calls 2-18**: These correspond to the 30 Aethyrs (spiritual realms) and the four elements, used to summon specific angels or govern elemental forces. For example, Call 2 invokes the angels of the East (Air).
– **19th Call**: Used to access the 30 Aethyrs individually, by altering a specific word in the invocation (e.g., “ZAX” for the 10th Aethyr).
– Michael emphasized that the Calls must be spoken in Enochian to activate their power, as the language resonates with celestial frequencies.

### 4. **The 30 Aethyrs**
– The Aethyrs are 30 spiritual realms or dimensions, ascending from the material to the divine. Michael described them as layers of existence, each governed by specific angels and containing unique spiritual insights.
– The names of the Aethyrs (e.g., ZAX, ZIP, TEX) were revealed as three-letter Enochian words, and they can be explored using the 19th Call. Michael indicated that navigating the Aethyrs allows practitioners to gain visions, wisdom, and communion with higher beings, culminating in unity with the divine.

### 5. **The Sigillum Dei Aemeth**
– Michael instructed Dee and Kelley on the creation of the Sigillum Dei Aemeth (“Seal of the True God”), a wax talisman used as a base for the scrying stone during their sessions. The Sigillum is a circular diagram inscribed with Enochian letters, angelic names, and geometric patterns.
– It acts as a protective and focusing tool, ensuring the purity of the angelic communications and grounding the practitioner in the divine order Michael established.

### 6. **The 91 Parts of the Earth**
– Michael revealed a system of 91 “Parts of the Earth,” geographical or spiritual regions of the world, each governed by a specific angel. These parts are associated with the Watchtowers and the Aethyrs, forming a terrestrial-celestial map.
– Practitioners can use the Calls to interact with these governors, influencing events or gaining knowledge about specific regions.

### 7. **The Role of *Liber Loagaeth***
– Michael dictated *Liber Loagaeth* (“Book of the Speech of God”), a series of 49 tables (each 49×49 grids of letters), which Dee recorded as the foundational text of the Enochian system. Each table represents a “leaf” of divine knowledge, encoded in Enochian.
– The book is meant to be a cosmic record, with each table unlocking aspects of creation, though Michael provided little direct guidance on its full interpretation, leaving it cryptic.

### Michael’s Overarching Guidance
Michael presented the Enochian system as a divine blueprint for understanding and interacting with the universe, bridging the material and spiritual realms. He stressed the importance of purity, faith, and precise ritual in using the system, warning that misuse could lead to spiritual consequences. The structure reflects a hierarchical cosmology: from the elemental Watchtowers to the celestial Aethyrs, all unified under divine authority, with Michael as a key overseer.

This system, as relayed by Michael, was intended for magical practice, spiritual ascent, and communion with angelic beings, though its complexity and cryptic nature have made it a subject of fascination and debate among occultists since Dee’s time.

M – Thank you.