Synchronized Swimming In The Quantum Sea

Consciousness, Resonance, and The Paranormal
by Marie D. Jones

As a kid, watching the synchronized swimming competition of the summer Olympic games, I was always struck by how silly the sport seemed.

Not to mention how it looked!

Later, as a wise adult, I came to understand and appreciate both the degree of difficulty of getting human bodies to move in perfect unison, and the beauty that results when they do.

Humans often operate in synch with others. I am reminded of groups of women who work or live together menstruating at the same times, as if their hormonal systems sought a certain resonance of unity and harmony, and adjusted the individual bodies accordingly.

But bodies are not the only things that resonate. Quantum physics has taught us that there is no such thing as empty space, and that the so-called vacuum of space often called the Zero Point Field (ZPF), is teeming with quantum fluctuations that display a resonance, a vibration.

Resonating-GuitarsNothing does not vibrate. There is no such thing as zero, dead, still. Everything that exists gives off some vibration of a certain frequency. Every planet, every person, every particle.

Musicians know that when a guitar string is plucked on one instrument in a music store, all the other guitars in the same room will vibrate to that tone. Healers refer to this as “entrainment,” when two objects (or people!) in close proximity, vibrating on different frequencies, begin altering their vibrations until they are vibrating at the same, or nearly the same, frequency.

The Zero Point Field could act as a field of “entrainment” or resonance, where the vibrations of particles tune to specific frequencies, creating different forms of matter, energy and interactions. Other scientists believe this field has different names.

In 1998, physicist Paul Steinhardt and his colleagues coined a term that would describe a mysterious field of what they believed to be dark energy, or a “fifth essence.” They called it “quintessence.”

Based upon an earlier idea proposed by Fermilab physicist Chris Hill and colleague Josh Freeman, quintessence suggested that, like the cosmological constant of Einstein’s vision, this essence fills all of “empty” space with a form of matter-energy that is changeable in strength.

Some parts of space might have a thicker quintessence, others a thin “layer,” creating a field of invisible essence that has no direction, like a vector field, only magnitude, like a scalar field.

Described as kinetic energy by Tom Siegfried in Strange Matters, the strength of this field would be measured by how quickly it approaches the zero point. Because quintessence is believed to exert negative pressure, it is said to be a slow rolling scalar field, one that does not change too quickly over a period of time.

Whether or not quintessence is the dark energy so eagerly sought by physicists will decide the fate of the universe itself, because of its relationship to expansion. The presence of a negative energy in space would possibly stop the expansion.

Aside from the role quintessence plays in the outcome of our universe’s destiny, it may also play a role in the way matter and energy interacts, or resonates.

Nature is filled with signs of the importance of resonance and the beauty of synchronicity. From the physical foundation of all musical composition to the intricate mathematical ratios of the natural world, there seems to be an element of “arrangement” that results in a visible pattern.

Physicist David Bohm believed that underlying the physical, tangible world, there was a far more mysterious, deeper order of “undivided wholeness.”

He called the visible world the explicate order, and that deeper world the implicate order, and used the analogy of a flowing stream to describe his realization of unbroken unity.

“On this stream, one may see an ever-changing pattern of vortices, ripples, waves, splashes, etc., which evidently have no independent existence as such. Rather, they are abstracted from the flowing movement, arising and vanishing in the total process of the flow.

 

Such transitory subsistence as may be possessed by these abstracted forms implies only a relative independence or autonomy of behavior, rather than absolutely independent existence as ultimate substances.”

Those rather philosophical words came from Bohm’s Wholeness and The Implicate Order, which he wrote in 1980, and suggested the world of the implicate order was similar to a hologram, where the complex interference patterns appear to be chaotic and disordered to the naked eye, yet on a deeper level possess a pattern that is hidden or “enfolded” into the whole object.

Bohm even suggested the universe itself was like a flowing hologram, or “holomovement,” that contained order on an implicate level.

The explicate order would be the projection from higher dimensions of reality, and any apparent stability of objects and entities are really a sustained process of enfoldment and unfoldment. Nothing solid is really solid at the implicate level.

Bohm also believed there was a superquantum potential, or a higher “superimplicate” order operating in the universe, and that consciousness and life were enfolded within, with matter appearing in all-is-vibration-4-postvarying degrees of “unfoldment.”

He even stated that the separation of matter and spirit is nothing but an abstraction, that the “ground is always one.”

All is Vibration

The study of music (and the patterns of sacred geometry) suggests an invisible, “implicate” vibratory nature.

Sympathetic Vibratory Physics is a term assigned to a “musical universe,” an interesting alternative theory of reality proposed by Walter Russell in A New Concept of the Universe.

Russell believes that there exists nothing in nature other than vibration. He attempts to create a paradigm of reality using wave and vibration theory based upon the work of John W. Keely’s concepts of a sympathetic vibration that connects all things and energies, and that the harmony of these vibrations creates what we see.

Russell and Keely suggest that music can be thought of as a model of the order found in the universe, with organized vibration or sound following principles of structure and behavior that make sound into harmonies. These principles mimic those governing other vibratory patterns in the universe.

Take the idea that everything is the result of a vibration, and even Zero Point Energy in the quantum vacuum has been shown to “jiggle” or vibrate. Everything has its “jiggle.” We can go on to say that different things have different “chords” or “vibration signatures,” and that is what makes one thing discernible from the next.

Sounds a lot like superstring theory, with tiny, vibrating cosmic strings at the very heart of existence.

Vibrations are dynamic, interacting with one another and their environment, creating different tones and chords and harmonics. In a sense, vibrations are more fundamental to reality than the tiniest subatomic particle, because in a sense, that is what the tiniest particle is a vibration.

The most exciting thing about this invisible vibratory field, no matter what form it might take, is the potentiality it contains. Potential as a source of all other sources. Potential as a pure energy field upon which all matter is created and thrown out into the explicate order.

Potential even is a doorway to other dimensions or levels of reality, where things like ghosts, UFOs and psychic abilities are the norm.

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